SONG-DO DIL MIL RAHE HAIN

SONG-DO DIL MIL RAHE HAIN
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TUNE-D G C F A d

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 C------------Am-----

do dil mil rahe hain

C-------------Am----------F-----------------C--

do dil mil rahe hai, magar chupke chupke

C-------------Am----------F-----------------C-

do dil mil rahe hai, magar chupke chupke

G-------------F------

sab ko ho rahee hai

G-------------F--------- Am-----------C

sab ko ho rahee hai, khabar chupke chupke

C------------Am---------F----------------C----

do dil mil rahe hai, magar chupke chupke

C----------------------Dm-----------G-------------------------C

saason men badee bekaraaree, aankhon men kaee rat jage

C-----------------------------Dm-----G-----------------------C

kabhee kahee lag jaaye dil to, kahee fir dil naa lage

F--------------------C-----------------------F--------------C---------

apanaa dil main jaraa thaam loo, jaadoo kaa main ise naam doo

C-------------F-------------Am----------C----

jaadoo kar rahaa hai, asar chupke chupke

C---------------F-----------F------------C---

do dil mil rahe hai, magar chupke chupke

****Similarly with the rest of the song****

ayese bhole banakar hain baithhe, jaise koee baat nahee

sabakuchh najar aa rahaa hai, din hain ye raat nahee

kyaa hain kuchh bhee naheen hain agar, hothhon pe hain khaamoshee magar

baate kar rahee hai

baate kar rahee hai, najar chupke chupke

do dil mil rahe hai, magar chupke chupke

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kahee aag lagane se pahale, uthhataa hain ayesaa dhuwaan

jaisaa hain idhar kaa najaaraa, waisaa hee udhar kaa samaa

dil men kaisee kasak see jagee, dono jaane baraabar lagee

dekho to idhar se

dekho to idhar se, udhar chupke chupke

do dil mil rahe hai, magar chupke chupke

sab ko ho rahee hai

sab ko ho rahee hai, khabar chupke chupke

do dil mil rahe hai, magar chupke chupke

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 MD.ANWAR HOSSAIN

Types of guitars

Types of guitars

Guitars can be divided into two broad categories, acoustic and electric:

Acoustic guitars

There are several notable subcategories within the acoustic guitar group: classical and flamenco guitars; steel-string guitars, which include the flat-topped, or "folk," guitar; twelve-string guitars; and the arched-top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers, such as the acoustic bass guitar, which has a similar tuning to that of the electric bass guitar.

Renaissance and Baroque guitars

These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12-string guitar, but they only have four or five courses of strings rather than six. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.

Classical guitars

These are typically strung with nylon strings, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar's wide, flat neck allows the musician to play scales, arpeggios and certain chord forms more easily and with less adjacent string interference than on other styles of guitar. Flamenco guitarsare very similar in construction, but are associated with a more percussive tone. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to theguitarron, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by the Spaniard Antonio de Torres Jurado (1817-1892). In recent years, the series of guitars used by the Niibori Guitar orchestra have gained some currency, namely:

• Sopranino guitar (an octave and a fifth higher than normal); sometimes known as the piccolo guitar
• Soprano guitar (an octave higher than normal)
• Alto guitar(a 5th higher than normal)
• Prime (ordinary classical) guitar
• Niibori bass guitar (a 4th lower than normal); Niibori simply calls this the "bass guitar", but this assigns a different meaning to the term than other parts of the community use, as his is only a 4th lower, and has 6 strings
• Contrabass guitar (an octave lower than normal)

Flamenco guitars

The flamenco guitar is similar to the classical guitar, but of lighter construction, with a cypress body and spruce top. Tuning pegs like those of a violin are traditional, although many modern flamenco guitars have machine heads. A distinguishing feature of all flamenco guitars is the tapping plates (golpeadores) glued to the table, to protect them against the taps with the fingernails that are an essential feature of the flamenco style.

Many modern soloists (following the lead of Paco de Lucía) play what is called a flamenca negra, a hybrid of the flamenco and classical guitar constructions

The modern Ten-string guitar

The Modern/Yepes 10-string guitar (a classical guitar) adds four strings (resonators) tuned in such a way that they (along with the other three bass strings) can resonate in unison with any of the 12 chromatic notes that can occur on the higher strings; the idea behind this being an attempt at enhancing and balancing sonority.

Main article: Ten-string guitar

Portuguese guitar

In spite of the name, it is not a guitar, but rather a cittern.

Main article: Portuguese guitar

Flat-top (steel-string) guitars

Similar to the classical guitar, however, within the varied sizes of the steel-stringed guitar the body size is usually significantly larger than a classical guitar and it has a narrower, reinforced neck and stronger structural design. The robust X-bracing typical of the steel-string was developed in the 1840s by German-American luthiers of whom C. F. Martin is the best known. Originally used on gut-strung instruments, the strength of the system allowed the guitar to withstand the additional tension of steel strings when this fortunate combination arose in the early 20th century. The steel strings produce a brighter tone, and according to many players, a louder sound. The acoustic guitar is used in many kinds of music including folk, country, bluegrass, pop, jazz and blues. Many variations are possible from the roughly classical-sized OO and Parlour to the large Dreadnought andJumbo. Ovation makes a modern variation, with a rounded back/side assembly molded from artificial materials.

Archtop guitars

These are steel-string instruments in which the top (and often the back) of the instrument are carved from a solid billet in a curved rather than a flat shape; this violin-like construction is usually credited to the American Orville Gibson (1856-1918).Lloyd Loar of the Gibson Mandolin-Guitar Mfg. Cointroduced the violin-inspired f-hole design now usually associated with archtop guitars, after designing a style ofmandolin of the same type. The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or violin family instrument. Nowadays, most archtops are equipped with magnetic pickups and are therefore both acoustic and electric. F-hole archtop guitars were immediately adopted upon their release by both jazz and countrymusicians and have remained particularly popular in jazz music, usually with flatwound strings.

Selmer-Maccaferri guitars

These are usually played by those who follow the style ofDjango Reinhardt. It is an unusual-looking instrument, distinguished by a fairly large body with squarish bouts, and either a "D"-shaped or longitudinal oval soundhole. The strings are gathered at the tail like an archtop guitar, but the top is formed from thin spruce (like a flat-top or classical) forced into a shallow dome. It also has a wide fingerboard and slotted head like a nylon-string guitar. The loud volume and penetrating tone make it suitable for single-note soloing and it is frequently employed as a lead instrument in gypsy swing.

Resonator, resophonic or Dobro guitars

All three principal types of resonator guitars were invented by the Slovak-American John Dopyera (1893-1988) for the National and Dobro (Dopyera Brothers) companies. Similar to the flat top guitar in appearance, but with a body which may be made of brass, nickel-silver or steel as well as wood, the sound of the resonator guitar is produced by one or more aluminum resonator cones mounted in the middle of the top. The physical principle of the guitar is therefore similar to theloudspeaker. The original purpose of the resonator was to produce a very loud sound; this purpose has been largely superseded by electrical amplification, but the resonator guitar is still played because of its distinctive tone. Resonator guitars may have either one or three resonator cones. The method of transmitting sound resonance to the cone is either a "biscuit" bridge, made of a small piece of hardwood at the vertex of the cone (Nationals), or a "spider" bridge, made of metal and mounted around the rim of the (inverted) cone (Dobros). Three-cone resonators always use a specialized metal bridge. The type of resonator guitar with a neck with a square cross-section – called "square neck" or "Hawaiian" – is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues.

12-string guitars

The twelve-string guitar usually has steel strings and is widely used in folk music, blues and rock and roll. Rather than having only six strings, the 12-string guitar has six coursesmade up of two strings each, like a mandolin or lute. The highest two courses are tuned in unison, while the others are tuned in octaves. The 12-string guitar is also made in electric forms.

Russian guitars

These are seven-string acoustic guitars which were the norm for Russian guitarists throughout the 19th and well into the 20th centuries. The guitar is traditionally tuned to an open G major.

Acoustic bass guitars

These have steel strings or gut strings and often the same tuning as an electric bass guitar.

Guitarrón

The guitarrón is a very large, deep-bodied Mexican 6-string acoustic bass played in mariachi bands. It is fretless with heavy gauge nylon strings, and is usually played by doubling notes at the octave, which is facilitated by the unusual tuning of A D G C E A.

Tenor guitars

A number of classical guitarists call the Niibori prime guitar a "Tenor Guitar" on the grounds that it sits in pitch between the alto and the bass. Elsewhere^{[citation needed]}the name is taken for a 4-string guitar with a scale length of 23" (585 mm) – about the same as a Terz Guitar. The tenor guitar is tuned in fifths, C G D A, as is the tenor banjo and the cello. It is generally accepted^{[citation needed]} that the tenor guitar was created to allow a tenor banjo player to follow the fashion as it evolved from Dixieland Jazz towards the more progressive Jazz that featured guitar. It allows a tenor banjo player to provide a guitar-based rhythm section with little to learn. A small minority of players (such as Nick Reynolds of the Kingston Trio) close tuned the instrument to D G B E to produce a deep instrument that could be played with the 4-note chord shapes found on the top 4 strings of the guitar or ukulele. The deep pitch warrants the wide-spaced chords that the banjo tuning permits, and the close tuned tenor does not have the same full, clear sound.

Harp guitars

Harp Guitars are difficult to classify as there are many variations within this type of guitar. They are typically rare and uncommon in the popular music scene. Most consist of a regular guitar, plus additional 'harp' strings strung above the six normal strings. The instrument is usually acoustic and the harp strings are usually tuned to lower notes than the guitar strings, for an added bass range. Normally there is neither fingerboard nor frets behind the harp strings. Some harp guitars also feature much higher pitch strings strung below the traditional guitar strings. The number of harp strings varies greatly, depending on the type of guitar and also the player's personal preference (as they have often been made to the player's specification).^[14] The Pikasso guitar; 4 necks, 2 sound holes, 42 strings] and also the Oracle Harp Sympitar; 24 strings (with 12 sympathetic strings protruding through the neck) are modern examples.

Extended-range guitars

For well over a century guitars featuring seven, eight, nine,ten or more strings have been used by a minority of guitarists as a means of increasing the range of pitch available to the player. Usually, it is bass strings that are added. Classical guitars with an extended range are useful for playing luterepertoire, some of which was written for lutes with more than six courses. A typical example is the modern 11 stringarchguitar, invented and played by Peter Blanchette.^[15]

Guitar battente

The battente is smaller than a classical guitar, usually played with four or five metal strings. It is mainly used in Calabria (a region in southern Italy) to accompany the voice.

Electric guitars

Main article: Electric guitar

Electric guitars can have solid, semi-hollow, or hollow bodies, and produce little sound without amplification. Electromagneticpickups convert the vibration of the steel strings into electrical signals, which are fed to an amplifier through a cable or radiotransmitter. The sound is frequently modified by other electronic devices or the natural distortion of valves (vacuum tubes) in the amplifier. There are two main types of pickup, single and double coil (or humbucker), each of which can be passive or active. The electric guitar is used extensively in jazz, blues, and rock and roll. The first successful magnetic pickup for a guitar was invented byGeorge Beauchamp, and incorporated into the 1931 Ro-Pat-In (later Rickenbacker) "Frying Pan" lap steel; other manufacturers, notably Gibson, soon began to install pickups in archtop models. After World War II the completely solid-body electric was popularized by Gibson in collaboration with Les Paul, and independently by Leo Fender of Fender Music. The lower fretboard action (the height of the strings from the fingerboard), lighter (thinner) strings, and its electrical amplification lend the electric guitar to some techniques which are less frequently used on acoustic guitars. These includetapping, extensive use of legato through pull-offs and hammer-ons (also known as slurs), pinch harmonics, volume swells, and use of a tremolo arm or effects pedals.

The first guitarist of note to use a seven-string guitar was jazz guitarist George Van Eps, who was noted as a pioneer of this instrument. Solid body seven-strings were popularized in the 1980s and 1990s in part due to the release of the Ibanez Universeguitar, endorsed by Steve Vai. Other artists go a step further, by using an 8-string guitar with two extra low strings. Although the most common 7-string has a low B string, Roger McGuinn (of The Byrds and Rickenbacker) uses an octave G string paired with the regular G string as on a 12-string guitar, allowing him to incorporate chiming 12-string elements in standard 6-string playing. in 1982 Uli Jon Roth developed the "Sky Guitar", with a vastly extended amount of frets, which was the first guitar to venture into the upper registers of the violin. Roth's 7-string and 33 fret "Mighty Wing" guitar features an altogether 6-octave range.

The electric bass guitar is similar in tuning to the traditionaldouble bass viol. Hybrids of acoustic and electric guitars are also common. There are also more exotic varieties, such as guitars withtwo, three,^[16] or rarely four necks, all manner of alternate string arrangements, fretless fingerboards (used almost exclusively on bass guitars, meant to emulate the sound of a stand-up bass), 5.1 surround guitar, and such.

Some electric guitar and electric bass guitar models featurePiezoelectric pickups, which function as transducers to provide a sound closer to that of an acoustic guitar with the flip of a switch or knob, rather than switching guitars. Those that combinePiezoelectric pickups and magentic pickups are sometimes known as hybrid guitars. ^[17] 

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MD.ANWAR HOSSAIN

History

Main article: History of the classical guitar

Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides".^[1] The term is used to refer to a number of such related instruments that were developed and used across Europe in the modern era.^[2] Some types of guitars, which are themselves related to these European instruments, originated in the Americas. origin of stringed instruments once known in central Asia and India. For this reason guitars are distantly related to contemporary instruments from these regions, including the tanbur,setar and sitar, among others. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.^[3]

The modern word, guitar, was adopted into English from Spanishguitarra (German Gitarre, French Guitare),^[4] loaned from the medieval Andalusian Arabic qitara^[5], itself derived from the Latincithara, which in turn came from the earlier Greek word kithara,^[6]a descendant of Old Persian sihtar (Tar means string in Persian).^[7]

The guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by theMoors after their conquest of Iberia in the 8th century.^[8]Elsewhere in Europe, the indigenous six-string Scandinavian lut(lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.^[9] By 1200 AD, the four-string "guitar" had evolved into two types: the guitarra moresca(Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck.^[10] In the 14th and 15th centuries the qualifiers "moresca" and "latina" were dropped and these four course instruments were simply called guitars.^[11]

The Spanish vihuela or (in Italian) "viola da mano", a guitar-like instrument of the 15th and 16th centuries, is often considered a major influence in the development of the modern guitar. It had six courses (usually), lute like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply-cut waist. It was also larger than the contemporary four course guitars. By the late 15th century some vihuelas began to be played with a bow, leading to the development of the viol. By the sixteenth century the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576. Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid 18th century. ^[12][13] Confusingly, in Portugal, the word vihuelareferred to the guitar, whereas guitarra meant the "Portuguese guitar", a variety of cittern.

Guitar

Guitar

The guitar is a musical instrument of the chordophone family. The standard guitar has six strings but four-, seven-, eight-,nine-, ten-, eleven-, twelve-, thirteen-and eighteen-string guitars are also available. The two primary families of guitar types are the electric guitars and theacoustic guitars. The three main types of acoustic guitar are the classical guitar, thesteel-string flattop guitar, and thearchtop guitar.

Guitars are recognized as one of the primary instruments in flamenco, jazz, blues,country, mariachi, rock music, and many forms of pop. They can also be a solo classical instrument. Guitars may be playedacoustically; the tone is produced by the vibration of the strings which is amplified by the body of the guitar which acts as a large hollow resonating chamber, or they may rely on an amplifier that can electronically manipulate tone. Such electric guitars were introduced in the 1930s, and they have continued to have a profound influence on popular culture since then.

Traditionally guitars have been constructed of various woods and strung with animal gut, or more recently, with either nylon or steel strings. Guitars are made and repaired by luthiers.
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MD.ANWAR HOSSAIN

HOW TO PLAY HAMMER ONS AND OFFS ON GUITAR

How to Play Hammer Ons and Pull Offs on Guitar

Hammer ons and pull offs are crucial guitar techniques when learning how to play lead guitar. This guitar technique has a more legato sound to it as there is no pick attack for the notes that are hammer on or pulled off. You see it used in all music styles, but it is most popular in rock, blues and country. Quite often you will see rock and blues guitarists playing “one handed” hammer ons and pull offs to add flashy guitar tricks to their stage show.

HOW TO PLAY POWER CHORDS

How to Play Power Chords – Moveable Power Chords

Power chords are used primarily in rock music and are made up of the first (called the root) and fifth steps of a major scale. As you learn how to play power chords in songs you will often see them notated such as A5, B5, etc. This is to indicate that the chords are not major chords, as these would also contain the third step of the scale and sound very different.

The great thing about moveable power chords (also called closed position power chords) is that once you have learned one power chord you can use that same chord shape to play power chords in any key. For example, simply move the G up two frets and you have an A power chord.

To play a power chord simply use your first finger to play the root of the chord, and your third finger to play the fifth. For example, to play a G power chord you would place your first finger on the low E string at the third (3rd) fret and your third finger on the A string at the fifth (5th) fret. 

How To Read Guitar Chords

Learning how to read guitar chords is one of the first things you need to know when learning how to play guitar. This free guitar lesson will show you how to read guitar chords and explains the finger numbering system that specifies the guitar finger numbers for playing notes in chords and scales. You will also learn about fret and string numbering.

Guitar Finger Numbers

Guitar notation and chord diagrams rely on a system which assigns guitar finger numbers to each finger of a guitarist’s left hand. Whenever you see these finger numbers (usually within a circle) as part of a scale or chord diagram it means that you should use that specific finger to play that note on the guitar fretboard. Of course for left-handed guitarists this guitar numbering system applies to their right-hand fingers.

Guitar String Numbers

Guitar strings are numbered from 1 to 6, going from the thinnest string (the high E) to the thickest. When you see an O above the string it indicates that the string is to be played open. An X above the string means that it should not be played (i.e. do not pluck it or mute the string so that it so that it can not be heard).

Guitar Fret Numbers

As you can see in the diagram above, frets are numbered by starting on the first fret after the nut.

How to Read Guitar Chords

Now that we know guitar fingering, fret and string numbers we can use this information to decipher the guitar chord diagrams below.

How to Play an A Chord

In the open A example, we can see that we see that:

• Our first finger holds down the fourth string (D) at the second fret
• The second finger holds down the third string (G) at the second fret
• The third finger holds down the second string (B) at the second fret
• We do not play the low E string (X)
• We play the high E and low A strings open (O)

Playing a D Major 7th (D Maj7 or DM7) Chord

In the D Maj 7 example, we can see how:

• Our first finger holds down the first (high E), second (B) and third string (G) at the second fret
• We do not play the low E string (X)
• We play the A and D strings open (O)NOTE: This type of chord is sometimes referred to as a partial barre chord as one finger covers multiple strings

The C Dominant 7th (C7) Chord

In this example, you can read the chord chart as:

• Our first finger holds down the second string (B) at the second fret
• The second finger holds down the fourth string (D) at the second fret
• The third finger holds down the fifth string (A) at the third fret
• Our fourth finger (the pinky) holds down the third string (G) at the third fret
• We do not play the low E string (X)
• We play the high E open (O)